For the set design I researched the usual set out for The Vee's. I went for a conventional design, where by the singer is at the front, the main focus, whilst the musicians are all in shot, just to a lesser extent. The set up accommodated many of our shots, in particular when focusing on a two shot, or using a close up of the main singer with a depth of field of the drummer. I also had to make sure that they were not too close together, ensuring that there was enough space for the singer to perform and for the necessary lights to fit on the stage creating the right image.
The lighting will be situated at the back and sides in order to highlight the group from behind. This would create a bold image, making the band stand out. This placements of the lights is also important in drawing attention to the instruments, espcially the drums as they were on the same level. For close up, low angel shots, these positioning of the lights needs to be able to bring out the neccesary objects within the frame.
The band members need to be lit in a way which can present the intended image of the idividual band member. Both in the prdocution and the stills, the lighting needs to have the power to place the band in a position of power, whilst still connecting with the audience. The connection and appearance of the band is highly important, and the lighting is a large contributer to these elements. For the head shots or close ups for example, the eyes should be highlighted to have to ability to connect with the audience, without using words.
The lighting of the stage needs to be in keeping with the tone of the song. However, it needs to be remembered that performances and concerts have got a lighter tone than the narratives, and that the band needs to remain attractive to their target audience. The band uses a number of different coloured lights, which flash alternatively. These lights are relatively dark and consist of a blue lights, which addresses the solemn tone and the need for an attractive stage.
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